Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ìóðõåä À., Áîðüáà çà Äàðäàíåëëû. Ðåøàþùåå ñðàæåíèå ìåæäó Òóðöèåé è Àíòàíòîé — 2004

 êíèãå Àëàíà Ìóðõåäà ðàññêàçûâàåòñÿ îá îäíîé èç ñàìûõ çíà÷èòåëüíûõ îïåðàöèé Ïåðâîé ìèðîâîé âîéíû ïîä òóðåöêèì ãîðîäîì Ãåëèáîëó (Ãàëëèïîëè). Çà âëàñòü íàä Äàðäàíåëëàìè, Áîñôîðîì è Êîíñòàíòèíîïîëåì ñòîëêíóëèñü èíòåðåñû âåëèêèõ äåðæàâ: Àíãëèè è Ôðàíöèè, êîòîðûì îêàçàëà ñîïðîòèâëåíèå ýêîíîìè÷åñêè îòñòàëàÿ, èñòîùåííàÿ â Áàëêàíñêèõ âîéíàõ Òóðöèÿ ïðè ïîääåðæêå Ãåðìàíèè. Èç-çà ïðîòèâîðå÷èé ñðåäè ñîþçíèêîâ, ïëîõîé ïîäãîòîâêè, à òàêæå îòñóòñòâèÿ åäèíîãî êîìàíäîâàíèÿ Äàðäàíåëëüñêàÿ îïåðàöèÿ íå äîñòèãëà öåëè. Ñîþçíûå âîéñêà ïîíåñëè îãðîìíûå ïîòåðè. Àâòîð àíàëèçèðóåò ïðè÷èíû ïîðàæåíèÿ è äåëàåò îáîáùàþùèå âûâîäû î åãî ïîñëåäñòâèÿõ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Ìóð À., Õðàíèòåëè. [ãðàôè÷åñêèé ðîìàí] — 2009 (Ãðàôè÷åñêèé ðîìàí)

Õðàíèòåëè" - ïîïóëÿðíûé êîìèêñ, ïî êîòîðîìó ñíÿò ôàíòàñòè÷åñêèé áîåâèê ðåæèññåðà Çàêà Ñíàéäåðà, âûõîäÿùèé íà ýêðàíû â ìàðòå 2009 ãîäà. Ñëîãàí ôèëüìà "Who watches the Watchmen?", à â ðîññèéñêîì ïðîêàòå "Ïðàâîñóäèå íàñòèãíåò êàæäîãî èç íàñ. Íå âàæíî, çà ÷òî". Àëüòåðíàòèâíàÿ ðåàëüíîñòü. 1985-é ãîä. Ïðåçèäåíòîì ÑØÀ âñå åùå ÿâëÿåòñÿ Íèêñîí è Õîëîäíàÿ âîéíà âñå òàê æå àêòóàëüíà. Âîñåìü ëåò íàçàä ñóïåðãåðîè áûëè îáúÿâëåíû âíå çàêîíà. Òåïåðü îíè æèâóò êàê îáû÷íûå ëþäè, õîòÿ ïðåæíèå ãîäû ðåãóëÿðíî äàþò î ñåáå çíàòü. È âîò îäèí èç íèõ æåñòîêî óáèò. Ëþäè, óáðàâøèå ñâîè ðàçíîöâåòíûå êîñòþìû â øêàôû, íå ñòàëè áû ýòèì èíòåðåñîâàòüñÿ, åñëè áû íå íàñòîé÷èâîñòü åäèíñòâåííîãî, êòî íå ñäàëñÿ ñåìü ëåò íàçàä, - Ðîðøàõà. Íà äâîðå ñàìûé ðàçãàð Õîëîäíîé âîéíû, ó åãî áûâøèõ êîëëåã ðàçíûå ïðîôåññèè è âçãëÿäû íà ìèð, à Ðîðøàõ óâåðåí, ÷òî âñå îíè îêàçàëèñü â ýïèöåíòðå çëîäåéñêîãî çàãîâîðà. Êóëüòîâûé 12-ñåðèéíûé ãðàôè÷åñêèé ðîìàí Àëàíà Ìóðà, ïîëîæåííûé â îñíîâó îäíîèìåííîãî ôèëüìà Çàêà Ñíàéäåðà ("300 ñïàðòàíöåâ"), âûõîäèò äàëåêî çà ðàìêè ïðèâû÷íûõ ïðåäñòàâëåíèé î êîìèêñàõ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

World Adventurers — 1980

This book of prose anthologies contains extracts of literary value which make lively and interesting reading. Exciting stories ranging over many centuries and countries from Marco Polo, thirteenth-century traveller in the Far East, to Ben Gunn, twentieth-century English test pilot.

Ñîäåðæàíèå: Ñîäåðæ. ïðîèçâåäåíèÿ àâò.:David Livingstone, Alan Moorehead, Alain Bombard, Lady Anne Barnard, John Buchan, Jule Mannix, John Barrow, Alan Burgess, C.W. Ceram, F. Spencer Chapman, Augustin Coutauld, Helen Keller, P.H. Fawcett, Ben Gunn,Heinrich Harrer,Sir Edmund Hillary, A.W. Kinglake, Mungo Park, C.F. Meade, Marco Polo, Elizabeth Paris Watt, Frank Smythe, Sven Hedin

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Moore A., America's Best Comics Primer — 2008

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Moore A., Swamp Thing : Love and Death — 1990

What Alan Moore, Stephen Bissette, and John Totleben accomplished during their time on the comic book series Swamp Thing shouldn't be underestimated in the history of comics and, specifically, the history of horror comics. The modern comics landscape has been changed by the Vertigo line of books--an imprint that traces its roots back to this version of Swamp Thing. By taking a horror character fully entrenched in a superhero world (as silly as that might seem), this creative team put a new face on horror comics and on horror in general. Swamp Thing: Love and Death is the second collection of the team's work on the series, presented here in full color. Don't let the mediocre Swamp Thing movies fool you, this book is filled with sophisticated suspense and terror

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Moorehead A., Australskou divocinou — 1966

Ïîäðîáíàÿ èíôîðìàöèÿ

Moore A., From Hell. being a melodrava in sixteen parts — 2019

Legendary comics writer Alan Moore and artist Eddie Campbell have created a gripping, hallucinatory piece of crime fiction about Jack the Ripper. Detailing the events that led up to the Whitechapel murders and the cover-up that followed, From Hell has become a modern masterpiece of crime noir and historical fiction.Two of the greatest creators in the history of comics. Eleven unsolved murders. One sprawling conspiracy, one metropolis on the brink of the twentieth century, and one bloody-minded Ripper ushering London into the modern age of terror. From Hell, often ranked among the greatest graphic novels of all time, is now available in a handsome hardcover edition, with a brand new cover.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ìóð À., Íåîíîìèêîí. [êîìèêñ] — 2021 (Êîìèêñû. Ñîâðåìåííàÿ êëàññèêà)

Ëåãåíäà êîìèêñîâ ÀËÀÍ ÌÓРè áëåñòÿùèé õóäîæíèê Äæåéñåí Áåððîóç ïðåäñòàâëÿþò "Íåîíîìèêîí" è "Äâîð", êîòîðûå âìåñòå ñ ãðàôè÷åñêèì ðîìàíîì "Ïðîâèäåíñ" îáðàçóþò êóëüòîâóþ Ëàâêðàôòèàíñêóþ òðèëîãèþ. Îäèí èç ëó÷øèõ ñïåöèàëüíûõ àãåíòîâ ÔÁРÀëüäî Ñàêñ, èñïîëüçóÿ íåñòàíäàðòíûå ìåòîäû, èùåò òàèíñòâåííîãî ñåðèéíîãî óáèéöó. Óëèêè ïðèâîäÿò åãî â ïîäïîëüíûé ðîê-êëóá, ãäå îí ñòàëêèâàåòñÿ ñ íàïîëçàþùèì áåçóìèåì è íåâîîáðàçèìûì êîñìè÷åñêèì óæàñîì. Áðèðñ è Ëàìïåð, ìîëîäûå è äåðçêèå àãåíòû ÔÁÐ, ðàññëåäóþò íîâûå ðèòóàëüíûå óáèéñòâà, ñâÿçàííûå ñ ïîñëåäíèì äåëîì Ñàêñà. Íî íè÷òî íå ìîæåò èõ ïîäãîòîâèòü ê âèçèòó â áîãîõóëüíûé Èííñìóò — îáèòåëü íåâûðàçèìûõ êîøìàðîâ è íå÷åñòèâûõ îáðÿäîâ.

Ñîäåðæàíèå: Äâîð ; Íåîíîìèêîí

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Pekar H., Harvey Pekar's Cleveland — 2017

A lifelong Cleveland resident, Harvey Pekar (1939-2010) pioneered autobiographical comics, mining the mundane for magic since 1976 in his ongoing American Splendor series. Harvey Pekar''s Cleveland is sadly one of his last, but happily one of his most definitive graphic novels. It combines classic American Splendor autobiographical anecdotes with key moments and characters in the city''s history as relayed to us by Our Man and meticulously researched and rendered by artist Joseph Remnant. With an introduction by Alan Moore too boot!

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

McFarlane, Spawn. Volume 2. Dark Discoveries — 1999 (Spawn Universe #2)

Al Simmons, formerly one of our government`s greatest soldiers, was resurrected from the ashes of his own grave. Reborn as a creature from the depths of Hell, disfigured, homeless, and alone, this new warrior known as Spawn now wanders the shadowy alleys of New York City in search of his past life. When he reluctantly becomes a protector of the weak, the poor, the downtrodden and other victims of circumstance who reside in the alleys, they unconditionally accept the man whose body is nothing more than scars and torn flesh. However, soon he inadvertently finds himself embroiled in turf wars with the Mafia and the street gangs who perceive him as a threat. Find out why Spawn exists, who his real enemies are, and whom he can trust, for in this twisted world of shadow players, nothing is as it appears.Ýë Ñèììîíñ, â ïðîøëîì îäèí èç âåëè÷àéøèõ ñîëäàò íàøåãî ïðàâèòåëüñòâà, áûë âîñêðåøåí èç ïåïëà ñâîåé ñîáñòâåííîé ìîãèëû. Âîçðîæäåííûé êàê ñóùåñòâî èç ãëóáèí Àäà, èçóðîäîâàííûé, áåçäîìíûé è îäèíîêèé, ýòîò íîâûé âîèí, èçâåñòíûé êàê Ñïàóí, òåïåðü áðîäèò ïî òåìíûì ïåðåóëêàì Íüþ-Éîðêà â ïîèñêàõ ñâîåé ïðîøëîé æèçíè. Êîãäà îí íåîõîòíî ñòàíîâèòñÿ çàùèòíèêîì ñëàáûõ, áåäíûõ, çàáèòûõ è äðóãèõ æåðòâ îáñòîÿòåëüñòâ, æèâóùèõ â ïåðåóëêàõ, îíè áåçîãîâîðî÷íî ïðèíèìàþò ÷åëîâåêà, ÷üå òåëî ïðåäñòàâëÿåò ñîáîé íå ÷òî èíîå, êàê øðàìû è ðàçîðâàííóþ ïëîòü. Îäíàêî âñêîðå îí íåïðåäíàìåðåííî îêàçûâàåòñÿ âòÿíóòûì â ìåæäîóñîáíûå âîéíû ñ ìàôèåé è óëè÷íûìè áàíäàìè, êîòîðûå âîñïðèíèìàþò åãî êàê óãðîçó. Óçíàéòå, ïî÷åìó Ñïàóí ñóùåñòâóåò, êòî åãî íàñòîÿùèå âðàãè è êîìó îí ìîæåò äîâåðÿòü, èáî â ýòîì èçâðàùåííîì ìèðå òåíåâûõ èãðîêîâ âñå íå òàê, êàê êàæåòñÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ